In ancient Javanese society, there is one story Legend of Aji Soko. In this story, the existence of iket head has also been called, ie when Aji Soko Cengkar defeated the Gods, a giant ruler of the land of Java, just by holding a kind of turban that could cover the entire land of Java. And as we know, Aji Soko became known as the creator and formulator of the beginning years of Java, which began in 1941 years ago.
There are theories stating that the use blangkon is the influence of, Hindu and Islamic culture that is absorbed by the Javanese. According to experts, the Muslims who go to Java that is composed of two ethnic Chinese descendant from Mainland China and the merchants of Gujarat. Gujarat traders are people of Arab descent, they always wear a turban, namely the length and width of cloth tied on their heads. Turban is what inspired people to wear iket java heads like the descendants of those Arabs.
There is another theory which comes from the elders who said that in ancient times, iket head like a turban which is not always permanently attached to the head. But with the economic crisis due to war, woven into a single item that is difficult to obtain. Therefore, palace officials asked artists to create a headband that uses half the usual for efficiency then created a permanent form of head covering with a more efficient fabric called blangkon.
In antiquity, blangkon indeed only be created by artists skilled in the grip (rules) are standard. Increasingly meet the standard set, then blangkon will be increasingly high value. A cultural expert named Becker has examined how making this Blangkon, was making blangkon requires a skill called "Virtuso skills." According to her: "That an object is useful, that it required skill to make-Virtuso neither of these precludes it from Also thought beatiful. Some craft generete From Within Their own tradition a feeling for beauty and with it appropriete aesthetic and common standards of taste ".
Assessment of beauty blangkon, apart from the fulfillment of the grip also depends on the extent to which a person understand the standards of taste as well as the provisions which have become the social standard. Standard applicable to blangkon, it was not only to be obeyed by the manufacturer, but also by its users. As disclosed by Becker as follows: "By accepting beauty as a criterion, participants in craft activities on a concern characteristic of the folk definition of art. That definition includes an emphasis on beauty as typified in the tradition of Some particular art, on the traditions and conserns of the art world Itself as the source of value, on expression of someone's thoughts and feelings, and on the relative freedom of artists from outside interference with the work ".
Blangkon in principle, made of cloth or Udeng iket square or rectangular. The size is approximately as wide as 105 cm x 105 cm. Actually used only half of the cloth. Size blangkon taken from the distance between the latitude of the right ear and left through forehead and through the top. In general, the smallest numbered 48 and 59 at most. Blangkon consists of several types, namely: Using mondholan, namely a bulge on the back blangkon shaped like Onde-onde. Blangkon is referred to as blangkon Yogyakarta style. This bulge of male hair model indicates that time is often tied their long hair in the back of the head, so that the protruding section in the back blangkon. Winding should be taut so the hair is not easily separated.
Trepes model, called the style of Surakarta. This style is a modification of the Yogyakarta style that emerged because most men with short hair now. Trepes model is made by sewing on the back straight mondholan blangkon. Apart from Javanese (mostly from the province of Central Java, Yogyakarta and East Java), there are some tribes who wore laindi Indonesia iket blangkon head similar to Java, namely: the Sundanese (mostly from West Java and Banten province), Madurese, Balinese tribes, and others. It's just that with the grip and shape a different tie
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